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At the
VierFarbSelector
colour tones are only built up with Black, if at least one
of the 3 basic colours Cyan, Magenta and Yellow is saturated and has therefore the
percentage of 100%. In the above example it is Cyan.
That means: Changing
the value of the black part of a colour tone will optically
result in another colour tone
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At a
GCR
colour chart,
where one black screen after another is laid over all
colours per page in total, a multitude of optical colour
duplicates will be created, which are only different by
their numerical composition of C, M, Y and K.
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That means: Changing the value of the black part of a
colour tone may optically result in another colour tone - or in
the same.
But how to
control the impression of a colour at prepress or later,
if the scanner operator has chosen another "GCR value"
as the graphic artist?
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Additional: The mixture of chromatic and achromatic
values for colour tones is leading to
a
serious deviation from the latest Media Standard,
which is fixing the CMYK composition under 50% GCR.
This "GCR value" can already be reached
with 10% Black at Pastel colours, or with 60% Black
at dark colour tones - but who knows the resulting
colour BEFORE scanning? |
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